In his current title author Robert Miklitsch goes on a long excursion to introduce several classic 1950s movies to identify and, in a way, separate the gangster films of that period from the films noir. As not every gangster movie automatically was a film noir, neither did all contemporary noirs feature one or more gangsters. […]
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Author: Dr. A. Ebert
Star Trek and the British Age of Sail: The Maritime Influence … by Stefan Rabitsch (2019)
The overwhelming success of Gene Roddenberry’s Star Trek stories to a large part is based on his good instincts to tell adventure stories in ways familiar to audiences, in this case man against nature (or the incalculable risks) while cruising uncharted regions not of the Pacific, but space. Author Stefan Rabitsch in eight chapters advocates […]
Crap: A History of Cheap Stuff in America by Wendy A. Woloson (2020)
To uncover the motivation behind the purchase of millions of basically purpose-free small “crap” objects, Wendy Woloson describes in great detail the giant industry behind the “novelties” and “labor saving inventions” that actually are little more than useless cutlery, buttons, dolls and other commodities. Objects that were originally produced only to convince buyers that they […]
British Thrillers, 1950–1979 … by Franz Antony Clinton (2020)
The era from the early 1950s to the mid-1960s probably was the busiest period of the British film industry. Many thrillers were shot in those years, including a great number of movies (and B movies) that often featured American actors; this arrangement would draw audiences to cinemas in England and simultaneously ensure interest for moviegoers […]
Psychobilly: Subcultural Survival by Kimberly Kattari (2020)
A 1980s blend of several earlier subcultures and youth movements such as punk, new wave, skinhead, rockabilly and even in part Goth, by the name of “psychobilly” is under the microscope here, mostly in an American context. The most important modern subcultures originated in England, so did psychobilly, with all the lore, idols, hangouts such […]
Law Enforcement in American Cinema, 1894-1952 by George Beck (2020)
In this short title, author George Beck takes a close look at some movies of the first half of the twentieth century that employed representations of American law enforcement, starting with silent era productions and chronologically end with films noir. Five sections altogether and a final coda chapter on roughly 130 pages consider stereotypes, good […]
Hillbilly Maidens, Okies, and Cowgirls: Women’s Country Music, 1930-1960 by Stephanie Vander Wel (20
Going back to the early days of medicine shows, vaudeville and traveling entertainment troupes, female performers they already had their regular part in the entertainment industry; and country music, or hillbilly music as it was first named, played a role in building up that reputation. For example, what in the 1940s was transported as “parodic […]
Vigilantes: Private Justice in Popular Cinema by Kevin Grant (2020)
When in movies a crime is committed against a citizen and neither the police force nor judges seem able or willing to catch and punish the assailant, mostly two options are presented to the victim/protagonist: to accept that the law and its divisions can fail sometimes, or to start a crusade against the aggressor all […]
Ready Steady Go!: The Weekend Starts Here … by Andy Neill (2020)
What was set up as a somewhat risky experiment featuring unusual approaches towards audiences, concepts and TV viewing habits, the live broadcast of the London based production Ready, Steady, Go! became probably the best pop TV show ever. As it united a fresh concept of live music (although until 1965, bands were only miming their […]