When it comes to highly influential and important comic book big players, two names will be mentioned at once: DC Comics and Marvel Comics. While both have left their mark on the history (and the turnover) of the industry, DC Comics can be also credited with refining a giant imaginary world in which superheroes such […]
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Author: Dr. A. Ebert
Sticking It to the Man: Revolution and Counterculture in Pulp and … by Iain McIntyre and Andrew Nett
The latest work edited by Iain McIntyre and Andrew Nette has the focus on pulp fiction published in English and connected to and influenced by the Counterculture and ideas of revolution. The emphasis is on “the long sixties,” meaning the aftermath of that truly revolutionary decade that was at work long into the 1970s, in […]
Five Years Ahead of My Time: Garage Rock from the 1950s to the Present by Seth Bovey (2019)
The Third Bardo’s 1967 song “Five Years Ahead of My Time,” a musical gem by the psychedelic garage band from New York is the eponym for this book, as the many garage bands of the 1960s laid the foundations for American Rock music. The word “garage” in this context actually describes their foremost place of […]
Superhero Thought Experiments: Comic Book Philosophy by C. Gavaler and N. Goldberg (2019)
The main thesis of this book will be of interest to both philosophers and comic book fans, as strange as it may sound at first. In an unusual effort, thought experiments done by philosophers (ancient and recent), and the stories behind many superhero comics are evaluated, and their many similarities revealed, as both groups play […]
Robots That Kill: Deadly Machines and Their Precursors in Myth, Folklore, Literature… by Judith A. M
In three parts, Judith Markowitz deals with the phenomenon of evil or rather, human-killing robots (and their creators) in the book at hand. In part 1, greed, revenge and furor are taken into consideration in cases why humans had to die by “the hands” of a robot, that was more or less only used as […]
Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Ruled the Movies by Mark A. Vieira (2019...
Film studies introduced countless movie fans to genres and varieties of films that were once praised just by small groups of fans. It was usually decades after the initial film releases, that, for example, the fascination with film noir, certain types of the westerns, or screwball comedy went beyond the tiny groups of connoisseurs and […]
Disney’s Star Wars: Forces of Production, Promotion, and Reception by W. Proctor and R. McCulloch (e
The movie Star Wars (1977) and the evolving Star Wars universe never were just films or simple family entertainment. To many fans, seemingly it became a surrogate religion or a way of life. The merchandise, action figurines, literature or cartoon adaptations and spin-offs earned George Lucas and Lucasfilm fortune after fortune (he directed and produced […]
Winsor McCay. The Complete Little Nemo 1910–1927 by Alexander Braun (ed.) (2019)
If there ever was something close to psychedelic art, or representations and imaginations of a surreal and subconscious reality before the drug-induced states that became popular in art and fiction of the 1960s, then comic artist, cartoon producer and visual pioneer Winsor McCay (1869–1934) was the one who provided it, starting in 1905. He was […]
The Great Monster Magazines. A Critical Study of the Black and White Publications … by Robert Cotter
“Monster and horror movies and stories of all types …. once were hard to come by. For a time, vampires and werewolves were taboo in comic books.” Author Robert Cotter here explains the long journey of the monster magazine and the story of its fandom over the decades in this noteworthy book. While the so […]