Film noir productions generally are associated with dark settings, either because action takes place at night or in unlit rooms, where street light creeps through Venetian blinds and struggles all the way to hit the protagonists on the set. Originally, such an outcome on the set in part was caused by filming conditions during wartime, […]
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Tag: 1940s United States
Blood on the Moon by Alan K. Rode (2023)
To enumerate all the good movies of actor Robert Mitchum would make a long list. To his very best works, however, counts the 1948 Western movie Blood on the Moon. This film turned out to be one of the few examples for a perfect blend of two very American genres, namely the Western and film […]
Hollywood Screwball Comedy 1934-1945: Sex, Love, and Democratic Ideals by Grégoire Halbout (2023)
With the possible exception of the Western movie and Film Noir, the American screwball comedy, that hilarious, often chaotic and highly witty style of making excellent and funny entertainment, probably is the third best liked or popular genre associated with movies made in 1940s US. It Happened One Night (Frank Capra, 1934) is very likely […]
Film Noir and Los Angeles: Urban History and the Dark Imaginary by Sean W. Maher (2022)
Movies of the film noir genre, shot in the US, usually had two favorite locations when it came to large cities and a setting that would breathe the air of crime, provide sinister plots, gunmen and desperate main characters: the pictures were either set in New York City or Los Angeles. As with Los Angeles, […]
The Blues Dream of Billy Boy Arnold by Billy Boy Arnold and Kim Field (2021)
There are very few masters of the harmonica (or “harp” as the instrument is called colloquially by musicians) that had a lasting impression on rock music, as English and American groups in the 1960s during the Beat era covered many blues originals that featured a harp. Among the most prominent players, we find Little Walter […]
Broadcasting Hollywood: The Struggle Over Feature Films on Early TV by Jennifer Porst (2021)
Even if the topic of Porst’s book, with regard to today’s video watching agenda that includes streaming media, Netflix, or any Internet-based platform consulted to watch movies, documentaries or series, may look a bit outdated at first sight, Broadcasting Hollywood actually is a highly interesting study, as it chronicles how we, as audiences, originally “learned” […]
I Died a Million Times: Gangster Noir in Midcentury America by Robert Miklitsch (2021)
In his current title author Robert Miklitsch goes on a long excursion to introduce several classic 1950s movies to identify and, in a way, separate the gangster films of that period from the films noir. As not every gangster movie automatically was a film noir, neither did all contemporary noirs feature one or more gangsters. […]
Law Enforcement in American Cinema, 1894-1952 by George Beck (2020)
In this short title, author George Beck takes a close look at some movies of the first half of the twentieth century that employed representations of American law enforcement, starting with silent era productions and chronologically end with films noir. Five sections altogether and a final coda chapter on roughly 130 pages consider stereotypes, good […]
Hillbilly Maidens, Okies, and Cowgirls: Women’s Country Music, 1930-1960 by Stephanie Vander Wel (20
Going back to the early days of medicine shows, vaudeville and traveling entertainment troupes, female performers they already had their regular part in the entertainment industry; and country music, or hillbilly music as it was first named, played a role in building up that reputation. For example, what in the 1940s was transported as “parodic […]