By examining interviews, trade magazines and even testimonies, letters, memoirs and other personal data author Regalado seeks direct impact of the superheroes on the real lives of actual people. Or rather, he aims to find out just how “the big forces of American modernity shaped the lives of Americans on an individual level and how […]
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Tag: 1940s United States
American Pulp: How Paperbacks Brought Modernism to Main Street by Paula Rabinowitz (2014)
What actually was the idea of Englishman Allen Lane during WWII found its way to the United States: the invention of a small, affordable book format, available almost anywhere where you could buy chewing gum and cigarettes. Lane, after unsuccessfully searching for small-sized books to read on his daily train rides, in 1935 founded Penguin […]
All-American Ads of the 40s by Jim Heimann and W. R. Wilkerson III (2014)
While the 1940s saw a terrible war and allied troops fighting on various continents, those Americans who stayed behind were assured of their role in the war effort not by fighting but consuming for the final victory. Even though many goods such as tires, gasoline, metals, fibers and sometimes even electricity were rationed, the marketing […]
The Golden Age of DC Comics 1935-1956 by Paul Levitz (2013)
Shazzamm! Phew!! This is one absolutely stunning edition of the early days of DC Comics. That is, if you are interested in the history, the concepts, the authors, the many inventors and most of all the legacy of the great comic artists at DC Comics. Then the heavy volume may just be what you have […]
In Lonely Places. Film Noir Beyond the City by Imogen Sara Smith (2011)
There seem to be specific instances that make a particular type of movie clearly identifiable as belonging to a certain group. For example, we like to have deserts, gunfights and horses if we watch a western movie, and we may look out for earrings, battleships, sabers and the Jolly Roger when we watch a pirates […]
The Noir Forties: The American People From Victory to Cold War by Richard Lingeman (2012)
Let us put aside for a moment the rather usual and thus “uncritical” approach to the USA in the 1940s and 1950s as a cultural, political and national whole; and now let us try to experience that world through the eyes of a fictional character in a Film Noir. Then we would sense the many […]