Even if the topic of Porst’s book, with regard to today’s video watching agenda that includes streaming media, Netflix, or any Internet-based platform consulted to watch movies, documentaries or series, may look a bit outdated at first sight, Broadcasting Hollywood actually is a highly interesting study, as it chronicles how we, as audiences, originally “learned” […]
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Tag: 1950s United States
Deconstructing Dr. Strangelove: The Secret History of Nuclear War Films by Sean M. Maloney (2020)
The Cold War, with all of its threats and visions of mass destruction and apocalyptic scenarios appears far away these days. However, when the menace of nuclear weapons that possibly would be launched if wrong decisions were made by a few incompetent men in the military back in the 1960s, stories, novels and mostly movies […]
Projections of Passing: Postwar Anxieties and Hollywood Films, 1947-1960 by N. Megan Kelley (2021)
The debatable term of “passing,” initially used to describe a basically 19th and 20th century strategy of African-Americans to pass for white (and avoid Jim Crow laws, absurd segregationist rules and social exclusion), in the mid- 1950s took on other forms and meanings. Actually, then it depicted new ways of passing/acting out or incorporating somebody […]
I Died a Million Times: Gangster Noir in Midcentury America by Robert Miklitsch (2021)
In his current title author Robert Miklitsch goes on a long excursion to introduce several classic 1950s movies to identify and, in a way, separate the gangster films of that period from the films noir. As not every gangster movie automatically was a film noir, neither did all contemporary noirs feature one or more gangsters. […]
Hillbilly Maidens, Okies, and Cowgirls: Women’s Country Music, 1930-1960 by Stephanie Vander Wel (20
Going back to the early days of medicine shows, vaudeville and traveling entertainment troupes, female performers they already had their regular part in the entertainment industry; and country music, or hillbilly music as it was first named, played a role in building up that reputation. For example, what in the 1940s was transported as “parodic […]
The Western Films of Robert Mitchum. Hollywood’s Cowboy Rebel by Gene Freese (2020)
Maybe one of the reasons why actor Robert Mitchum looked so comfortable and at home in western movies, was the fact that he bred horses, preferred the casual cowboy outfit off the film set, and seemingly simply played himself, whenever he took the part of the cowboy, the Sheriff, the outlaw or the weather-beaten stranger […]
Crime and Spy Jazz on Screen 1950-1970: A History and Discography by Derrick Bang (2020)
The period of American sound film until roughly the mid-1940s was dominated by soundtracks and extradiegetic audio based on mostly sweet string orchestras, allusions to classical compositions and ballads. Then, in the 1950s and 60s, soundtrack composers increasingly used popular music of the decade before for police/detective/spy action productions, which would be in large part […]
Secondary Superheroes of Golden Age Comics by Lou Mougin (2020)
Even with comic book superheroes, there have been the fortunate ones, the famous gang and then, the “others,” in this case describing the many clones or rather, imitators of the likes of Superman or Bat-Man (as he originally was named in the golden age). As it should be clear that in the Golden Age of […]
Robots in American Popular Culture by Steve Carper (2019)
The idea of building, commanding and using artificial creatures, based on mechanical components that would assist mankind doing anything from work, transportation or pleasure goes back to very early stories of creation such as the Gilgamesh epic. And mythology from ancient Greece and other regions. That idea also demonstrates man’s wish to become the creator […]