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Sticking It to the Man: Revolution and Counterculture in Pulp and … by Iain McIntyre and Andrew Nett

The latest work edited by Iain McIntyre and Andrew Nette has the focus on pulp fiction published in English and connected to and influenced by the Counterculture and ideas of revolution. The emphasis is on “the long sixties,” meaning the aftermath of that truly revolutionary decade that was at work long into the 1970s, in […]

Limiting Outer Space: Astroculture After Apollo by Alexander C. T. Geppert (ed.) (2018)

Introducing the second volume of the European view on space programs and the sociocultural effects of current and future space travel and planet colonization plans, Limiting Outer Space continues the Palgrave Studies in the History of Science and Technology series. The title is strongly linked to Vol. 1 Imagining Outer Space: European Astroculture in the […]

Girl Gangs, Biker Boys, And Real Cool Cats: Pulp Fiction … by Iain Mcintyre and Andrew Nette (eds.)

The development and the origins of pulp fiction books are both well-documented and naturally before there was a market for those products, there was a demand for it. Girl Gangs, Biker Boys, however, starts not at the beginning of this genre, but dives deep into the phenomenon of the pulp books that dealt with subcultures […]

Monsters in the Machine: Science Fiction Film and the Militarization of America … by Steffen Hantke

The 1950s and 1960s were the decades when science-fiction movies boomed and during that time not so much technology, but disgust, shock, fear, basically all aspects of horror and horror movies, were used instead to give science fiction movies a certain direction by presenting miniature or giant creatures, mutants and every kind or harrowing creature […]

Invasion USA: Anti-Communist Movies of the 1950s and 1960s by David J. Hogan (2017)

With motion pictures as one of the most powerful instruments to display the enemies’ (i.e. the USSR’s) efforts to destroy the trust of the American people in their country in the mid-1950s, a number of movies by US studios were produced. The plots centered mostly around Soviet spies, communist agents or Americans, who had lost […]