While most American historical books concentrate on just one period of time, one group of individuals or precisely one cultural event in American history, in Cowboys and Gangsters, we encounter quite a gripping set of bygone and cultural crossroads. Author Samuel K. Dolan, a movie director, documentary writer and producer, tells of both the last […]
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Tag: American Studies
Cowboy Classics: The Roots of the American Western in the Epic Tradition by Kirsten Day (2016)
Kirsten Day’s title is the latest publication in the series ‘Screening Antiquity’ by Edinburgh University Press, the only series of academic monographs focusing on new research concerning the reception of the ancient world in film and television and the conception of antiquity in popular culture. At first, there would be reservations connecting the book’s title […]
Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll by James A. Cos
What historically led to the rise of American teenage youth culture and paved the way for rock’n’roll is the subject of James Cosby’s latest book. As examined against the subcultural background of post-war America, and the arrival of new musical impulses from African American culture, teenager’s unknown struggles for autonomy in an altogether anxious and […]
Hoo-Doo Cowboys and Bronze Buckaroos… by Michael K. Johnson (2014)
The westward expansion in the 18th and 19th century is well documented and was done by (what we believe) an entirely white/Caucasian group of people who took their chances and finally settled the West; if we believe the many tales, novels and most importantly the countless western movies. But actually, there were also some others, […]
Rock ‘N’ Film. Cinema’s Dance With Popular Music by David E. James (2016)
While already in the 1940s the Hollywood musical artistically integrated film, acting, dancing and singing, it also had another very important feature. “With sound, the movies had become the major means of disseminating popular songs, both those composed for Broadway musicals that were subsequently filmed and those written by the studio’s own teams of lyricists.” […]
Anxiety Muted. American Film Music … by Stanley C. Pelkey and Anthony Bushard (eds.) (2015)
In this volume the thirteen contributors research how in audiovisual media of the 1950s and 1960s (TV and cinema), the modern anxieties about conformity, urbanization, gender and family were represented audibly, that is, in sound of any kind or the lack thereof. This could be the soundtrack, music used in the media, but also all […]
Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation by Nicholas Sammond (2...
The mere mention of the word ”minstrelsy“ brings back numerous unpleasant, racist, stereotypical and humiliating issues of the past. It is interesting to find out then, that many of the most popular cartoon characters were actually modeled on or even continued the line of minstrelsy characters: the most popular would be Walt Disney’s (early) Mickey […]
Bending Steel. Modernity and the American Superhero by Aldo J. Regalado (2015)
By examining interviews, trade magazines and even testimonies, letters, memoirs and other personal data author Regalado seeks direct impact of the superheroes on the real lives of actual people. Or rather, he aims to find out just how “the big forces of American modernity shaped the lives of Americans on an individual level and how […]
Savage Preservation: The Ethnographic Origins of Modern Media Technology by Brian Hochman (2014)
When technology and ethnographic curiosity meet, the result often is a huge body of data – mostly consisting of recordings and data stored in all varieties of the current technical standards. In five chapters, each one quite enthralling, Brian Hochman elaborates on various researchers, field studies and vanishing cultures, with subjects as Plains Indian sign […]