Film noir productions generally are associated with dark settings, either because action takes place at night or in unlit rooms, where street light creeps through Venetian blinds and struggles all the way to hit the protagonists on the set. Originally, such an outcome on the set in part was caused by filming conditions during wartime, […]
You are browsing archives for
Tag: film noir criticism
American Film Noir Genres, Characters, and Settings by Harold Hellwig (2023)
Strongly influenced by domestic hard-boiled novels of the 1920s and 1930s, one of the most American film genres, film noir, had its boom time in the 1940s. Generally believed to have mostly vanished from studios and theaters by the late 1950s, the genre briefly resurfaces every few years in the so-called “neo noirs” of various […]