There are very many books on both the American post-war years and the films of the long 1950s, usually with the emphasis on a genre or a sociological topic. The book at hand, however, has a somewhat special approach, as it is preoccupied with the decade and its implications on the American public, as experienced […]
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Tag: HUAC
Projections of Passing: Postwar Anxieties and Hollywood Films, 1947-1960 by N. Megan Kelley (2021)
The debatable term of “passing,” initially used to describe a basically 19th and 20th century strategy of African-Americans to pass for white (and avoid Jim Crow laws, absurd segregationist rules and social exclusion), in the mid- 1950s took on other forms and meanings. Actually, then it depicted new ways of passing/acting out or incorporating somebody […]
Invasion USA: Anti-Communist Movies of the 1950s and 1960s by David J. Hogan (2017)
With motion pictures as one of the most powerful instruments to display the enemies’ (i.e. the USSR’s) efforts to destroy the trust of the American people in their country in the mid-1950s, a number of movies by US studios were produced. The plots centered mostly around Soviet spies, communist agents or Americans, who had lost […]
The Red and the Black: American Film Noir in the 1950s by Robert Miklitsch (2017)
Film noir in the 1950s is a very special period in the genre‘s/style’s history, since for some experts film noir ended just then, while for others it almost died then and had finally vanished completely in the early 1960s. (To resurface as neo-noir in the early 1980s). In the book at hand the author tries […]
Music in the Age of Anxiety: American Music in the Fifties by James Wierzbicki (2016)
What may come to mind first when we think about the music of the 1950s in the US are probably the styles of Rock’n’Roll, Doo Wop and Rhythm and Blues. Wierzbicki however, in his study points to the many other musical forms that evolved in that decade, since changes and developments in American politics, society, […]