Highly respected and valued by many fans of crime fiction and most likely America’s most distinguished crime writer ever, Raymond Chandler (1888-1959) together with Dashiell Hammett invented a new type of tough detective, independently of each other, they founded a style that later was described as “hard-boiled.” Many of their novels were turned into successful […]
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Tag: WWII
All-American Ads of the 40s by Jim Heimann and W. R. Wilkerson III (2014)
While the 1940s saw a terrible war and allied troops fighting on various continents, those Americans who stayed behind were assured of their role in the war effort not by fighting but consuming for the final victory. Even though many goods such as tires, gasoline, metals, fibers and sometimes even electricity were rationed, the marketing […]
Comic Books and the Cold War, 1946-1962… by Chris and Rafiel York (eds.) (2012)
The comic books of the post WWII years differ in many respects from their predecessors. For one reason, they (generally) invented new dangers, new villains and new challenges for the keepers of the peace, fighters for freedom and justice, aka the Superheroes and the Federal Agents, the T-Men, a moniker for government agents of the […]
Nightmare Alley: Film Noir and the American Dream by Mark Osteen (2013)
By choosing the rather bleak Edmund Goulding noir classic Nightmare Alley (1947) as the namesake for his new book, author Mark Osteen surprises with his fresh approach to films noir. He concentrates on the major antagonists, so to speak, of the American dream, and the American pursuit of happiness, a constitutional right in a way. […]
In Lonely Places. Film Noir Beyond the City by Imogen Sara Smith (2011)
There seem to be specific instances that make a particular type of movie clearly identifiable as belonging to a certain group. For example, we like to have deserts, gunfights and horses if we watch a western movie, and we may look out for earrings, battleships, sabers and the Jolly Roger when we watch a pirates […]
The Noir Forties: The American People From Victory to Cold War by Richard Lingeman (2012)
Let us put aside for a moment the rather usual and thus “uncritical” approach to the USA in the 1940s and 1950s as a cultural, political and national whole; and now let us try to experience that world through the eyes of a fictional character in a Film Noir. Then we would sense the many […]